About Me

Saturday, 24 May 2014

HOW CAN WE DEAL WITH SHY STUDENTS?

CHINESE EXPERIENCE




Over the Platform of -Shaping the Way, we Teach English -


I got several questions so, from all of them, I would like to share a few of them because I think it is suitable for any class of languages:





Dear Mr. Chiluiza Vásquez,

I do agree with you. I am also very interested in this week’s article, destroying the teacher. I found that all five main headings in the passage are very useful for our teaching. Many productive techniques we could use in classes. I have applied them in my classes, and it revealed that students produced the language perfectly in their discussion groups. The teacher just monitors, take note, facilitate whenever the students need, provide students more time to talk within the groups. Get them to work independently. Finally, the teacher gives them feedback. Well, this article helps us a lot with the teaching styles, and I gained experiences from weeks 1, 2, and 3.


QUESTION: However, some students could not say anything as they are shy or they think that their English is good enough to share with others in the class. So, their discussions become unproductive. How can I deal with this group of students, destroying the teacher?


ANSWER:
Dear Prach,

Thanks a lot for sharing your opinions and agreements, going to the point and giving the answer to your question, how can we deal with shy and unconfident students? 

I’m facing the same problem with my Chinese students; in some other posts, I shared my experience. Let me share you once again with you, maybe could be useful but it has a lot of relation about what are we learning in this training course.



In my class working with Team or Group Work is the best choice to profit time on task-time in the classroom, I rarely use pair work activities, I usually divide them into small groups in order to let them participate, in writing or speaking activities in every group. The teacher’s work is so demanding for every class. So, imperatively we need to have a good plan. I totally agree with Roney’s article too, especially about planning an Interactional group task. Even the time manager should no simply sit and look at the clock.


Most of the students have their own different process of learning with strengths and weaknesses; the teacher needs this kind of wisdom to differ into each student before assigning group roles. I remember the last time in my class I thought it could be a good opportunity to practice this technique with some special groups –shy, confident and egocentrics students. 

I wanted to check their own: self-leadership and patience about doing what they want to do, working with people they don’t want to work, likes – dislikes, etc. It was no so rewarding a lot, at the beginning, the group was no flexible enough, and my students get together with friends because of the likelihood of common experiences and viewing points however I divided a few of them (-strength and weakness-). As a result of this the diversity, discussion, and work were limited even if they have a clear outcome. This kind of apathy and empathy showed me how the real world is. Also, this kind of issue (activity) taught me that my students will always need a teacher NO LIKE THE FOCUS or CENTER OF THE ATTENTION BUT THE FACILITATOR TO GUIDE, SUPPORT, STAND, HELP and DIRECT students on decision making to meet a clear objective. Finally, this activity helped us to understand how to work -all together and break this kind of personality- inside and outside the classroom with love and tolerance for diverse personalities in any circumstance where ESL is required. And don’t forget it is a process if you continue doing this they will be more confident… I have other experience but I’m not so sure where I posted it (sorry), but you can take a look in my posts, probably you will find it faster than me)



However, try to practice SPEAKING WITH CONFIDENCE – LEARNING BY PLAYING. Let me share with you a good link where you can get a better idea.


I hope I should have replied clearly your answer let me know your comments. If any other colleague has other opinions about this topic please let us to know


Best Regards

Critical and Creative Thinking & Destroying the Teacher

           Critical and Creative Thinking



The interaction in how the developed Critical and Creative Thinking is taken in classroom is something necessary to check, also how the teacher introduces the target topic -Mass Media Activity-. This interaction showed us how the Students with the teacher's help create, perform skits, analyze the information, write the scripts at the end perform the role play. What I like the most is how to warm-up the activity with SS' interaction in classroom with simple questions and answers that let Students use Critical Thinking with a higher order thinking skill, analyzing the accuracy, worth of the ideas or statements using reasoning skills to questions and readings. The teacher makes the introduction to the topic by thinking locally and teaching act globally with integrated skills and a variety of self-management. The music helps to time the activity is a good example for time managing, too. I think is a good way to introduce a classroom far away for the 、traditional teaching class.



Well, in my own experience I have developed some techniques in the classroom, what I like the most is simple questions and answers to warm-up the class, then go through the main point It means the target content Most of my students success because the questions are nice, easy and I try to do it in a funny way. All of these activities are working out first, in peer group then in Group work. Also the questions and answers with a sample paper, letting the students analyze each other, have fun at the end make the role play activity with -Mass Media Activity- target content. As examples, you might wish to use some of the other, similar techniques you have seen in different readings from this blog.

I think as I shared in other posts, It is always necessary to use REALIA MATERIAL in our ESL class, going to class without any material and only with the textbook in a traditional way, is like to wish surf in the internet using an ancient typewriting machine. It’s not real and accurate to actual times where the teacher needs to be more creative than ever. Let the Ss work together with self-management and the teacher Is only the facilitator of knowledge after all of this interaction developed through a good lesson Plan or a simple Project Based Learning, using all the integrated skills is where me need the value of silence like McLean’s article says, each period of learning is followed for a period of reaction.

These readings and reflections make me take a long period of reaction to my teaching skills.



DESTROYING THE TEACHER


                                           

This article by Alan Mc LEAN shows us how to focus our attention on the conditions under where student learn most effectively, relates the internal process involved in apprehending and storing information, into the most favorable conditions for this process going through theoretical basis and aspects about classroom and teacher’s behavior that seldom is the case is the most important factor in the classroom. He also focuses on five main headings:

REDUCTION OF COERCION

Avoid the typical teaching style -authoritarian- Like the Illich’s phrase the “custodian of the secret”. Here the teacher must show that is no the superhuman, that everything knows, he can make mistakes, and that are many things that can be ignorant. I extremely agree in the part.. -Self-correcting mechanism can operate only when the teacher gives up playing God.- Most of the time teachers have the last word and the students is a mere object, no exist cohesion in the learning process.




EXPERIENCE BEFORE INTERPRETATION

The learner needs time to “mess around” with the target material. The deal of Handling of printed material, or playing with, changing the words of the text, before reading starts is important in class. This period of experiencing the material seems to be a necessary precondition for interpreting. I think it always is necessary to use REALIA MATERIAL in our ESL class, going to class without any material, and only open the textbook in a traditional way, is like to surf in the internet using an ancient typewriting machine. It’s not real and accurate, in actual times where the teacher needs to be more creative than ever.

AVOIDANCE OF OVERSIMPLIFICATION




The teacher can only provide good conditions within which learning may take place, what I want to take here is what McLean says, “If things are made to easy for the learner, he will not be inclined to use his own resources, I like the idea about step by step approach is the only way to learn. If we taught children to speak they will never learn. What it means ere is that is necessary to let the students take their own difficulties to let them to have their own mistakes no oversimplifying everything and only to help them to resolve a little no resolving all the problem or difficulty. Providing them the ability to pick up context cues within a text is vital to the successful decoding of it. Reading is a selective process. It involves partial use of available language cues…


THE VALUE OF SILENCE

As I wrote before, Far from my students and my teaching class, as a facilitator, as a human being in my humble opinion these readings and sharing my thoughts in my posts make me take a short and deep -period of reaction- about my teaching-learning skills.

                                     

I really love this article from Mc LEAN - Destroying the teacher: The need for learner-Centered Teaching. I share this quotation also to apply in my own experience living in China and consciousness or unconsciousness living day by day as part of a culture. “If the culture of the teacher is to become part of the consciousness of the children, then the culture of the children must first be in the consciousness of the teacher” Basil Bernstein. Being part of a culture an interacting with my students let me enjoy my class.


Best Regards 
Wilson P. Chiluiza Vásquez

Saturday, 12 April 2014

Maximizing the Benefits of Project Work in Foreign Language Classrooms

THE IMPLEMENTATION OF PROJECT WORK DIFFERS GREATLY FROM ONE INSTRUCTIONAL 

PROJECT-BASED LEARNING


Ecuador 2012

Ecuador - 2010
Working with Project-Based Learning let me figure out how the teacher works can be divided in different parts even with teacher guidance or only with the students creativity and always goes longer than expected. Once the instructor guides them step by step students go through an extended process of inquiry in response to a complex question problem or challenge. It is so demanding in effort, and time but the results in knowledge and confidence are really incredible and rewarding. While allowing for some degree of student “voice and choice”, rigorous projects are carefully planned, managed, and assessed to help students learn key academic content, practice all the skills together called 21st Century Skills (collaboration, communication & critical thinking), and create high-quality, authentic products & presentations also the Emotional Effect in confidence is collected in specifics PBL

SUMMARY CONCLUSION 

We have showcased the details of one project designed for an EFL setting. Although the tramcar theme itself may not be transferable to other settings, because of its very local relevance, basic features of the project could easily be transferred to other EFL classrooms. These transferable features, in the form of recommendations for EFL teachers and materials writers who attempt to integrate project-based learning into their own curricula, appear below.



Ecuador - 2013
• Devise projects with students’ immediate and future language needs and content interests in mind, while at the same time remaining vigilant of institutional expectations and available resources.

• Specify language, content, task, skill, and strategy learning objectives in line with students’ needs and institutional expectations to maximize the benefits of the project.

• Strive to engage students in all stages of the project. Begin by giving students the chance to structure parts of the project, even if those contributions are small, with the aim of building a sense of student ownership and pride in project engagement.

Ecuador 2013
• Design and sequence tasks with great care. Make sure that (1) skills are integrated to achieve real communicative purposes, (2) students are obliged to use various strategies for meaningful aims, (3) critical thinking is required for successful task completion, and (4) students are held accountable for content learning.

Ecuador 2012

• Integrate tasks that require both independent and collaborative work. Help students reach an agreement about different team member responsibilities. Students should view each other as single links in a chain that unites, through exchanges of information and negotiation of meaning, to produce a successful project outcome.

• Be sure to plan an opening activity that promotes students’ interests, taps background knowledge, introduces important vocabulary, and builds up expectations for the final activity.

• Take advantage of Steps 4 (Instructor prepares students for information gathering), 6 (Instructor prepares Ss for compiling and analyzing data), and 8 (Instructor prepares Ss for the final activity ) to provide explicit instruction so that students not only improve their language abilities but also excel in the information gathering, processing, and reporting stages of the project.
• Allow time for feedback at the conclusion of the project and at other critical junctures as well. We close by directing readers to Appendix 3 for a list of questions for teachers to consider as they assess the viability of projects for their Classrooms and develop actual projects for and with their students.

Resource T 10
Bülent Alan and Fredricka L . Stoller
T U R K E Y A N D U N I T E D S T A T E S

IDEAS AND GOOD EXAMPLES TO USE IN ENGLISH CLASS


China - 2013
Nowadays, in my Spanish and English class, I use to work with my Chinese students in Speaking with confidence. So at this point, I could realize that the problem in speaking is not only for a foreign language it is in the same mother language. Therefore, it’s a normal problem in every human being. They’re so shy and struggle in public speaking. In that way, I need to work with them in confidence. In my English class, I have two classes per week, every Monday which means I must take an advantage from this short period of time.. So I really love to plan PBL activities, role plays, country or hometown presentations, real problems for real solutions or simply to have fun into an interesting topic being discussed with my students.

Actually, I’m working in Drama Activities; short role-plays do the trick! I provide my students with a framework for them to put in a creative content and role play in a true-to-life situation or even spontaneously about tell a story together. Recently you know perfectly the catastrophe about the Boeing-777 got lost/kidnapped or something else.. in Malaysia and Asian Sea. So it’s always in the news and such a great opportunity to research and collect all information about and show in classroom in a process of 3 weeks. In the end they could show A REAL NEWS AND TV SHOW.

TYPE: Drama
TITLE:
WHAT HAPPENED WITH THE BOEING 777
AIM: To practice inquire information questions & answers, type interviews in an imaginative way.
TIME: 20 to 30 minutes
STAGES:
    (5 mins.) Ask an imaginative student to sit comfortably on a chair with eyes closed. Tell him/her that he/she is a Representative from MAYSIA Airlines and proceed to 'interview the Representative in a gentle voice:
    "What happened to this flight?"
    "Where was the specific position from the airplane?"
    "What happened with the pilots, aircrew, and passengers?”
    "Tell us about the last news."

      China 2013

      “…….” (students continue with the questions getting involved with family’s aircrew and passengers) I establish with the other students that you may only ask questions which are equally appropriate for this REAL SITUATION. Then monitor while the other students proceed with the interview. 
      (15 - 25 mins.) After this initial interview is over, my students will be eager to get involved in such emotional representation, then I put them in groups of 3 or 5 and let the interviews continue allowing about 5 minutes per interview.
No matter the mistake or bad pronunciation are made the most important is only to speak with confidence. The feedback is at the end. 

My next step in this PBL is to establish groups and allow them to create their own TV SHOW in other specific topic, they should film it. With my Spanish students and other English majors’ students, we’ll make a booklet in 4 different languages (Spanish (my mother tongue), English (students & me), French (me) and Chinese (students). This will contain common questions related to learn a language with useful information and with a communicative learning approach. Speak it easy!

Then I’ll plan other activities or probably another "crazy idea" - PBL comes to my mind

Thanks for your comments.


Best regards
Wilson P. Chiluiza Vásquez

Wednesday, 9 April 2014

REALIA - AUTHENTIC MATERIAL


REALIA - AUTHENTIC MATERIAL


France - 2005


China 2014
Authentic materials are all the things or objects that we can show in the classroom used like unique materials. I really like to use them in class. In the first part, the teacher with the children uses the dolls which wear uniforms, as a help to teach vocabulary and the clothing is the REALIA as the unique method, students enjoy the dolls, she inquires using questions and answers about the different boys and girls. Even if she makes in different ways after many repetitions, students' speech slowly emerged. I use this in my class with adult learners, too. In the next example, students can bring their own REALIA to class, using different objects students can describe their material in a short time with basic words. It is also a good way to let them speak about their likes or dislikes. It’s good for student’s confidence; teachers can also gradually collect different REALIA Material to use in class.
                                                  
Ecuador -2008
As a second part, we can analyze how to work with a Project-Based Learning provided and created with Authentic Materials like text, brochure, album, picture, newspaper or books similar to the Tourism Students. I think it is the only way to motivate them to use REALIA MATERIAL with their own reality and creativity. I usually use and adapt to this kind of material and activity in my class because many students get involved and helped each other in making it. Finally, the results are really amazing the way they show their creativity, the projects stay in their own school, library collection or help to other students showing this material in the wall like vocabulary posters or calendars or putting them in a corner from different subjects like support for teacher and students.

Viewing points or Images are also Authentic Realia Material however there are different kinds of images, for example, photographs, maps, charts, drawings, posters, bulletin boards, comics, etc. The Best idea in order to plan a journey and make a world map cut pictures out of magazines make a plan where to go and what to do. Also biographies, or bulletin work, school holiday, Put all these and other ideas in the wall with their own creativity sounds pretty nice.


China April 01st-2014



Multimedia Material in the way how we choose, use and construct authentic material in any activity let us to develop integrated skills; high-interest content, range of learning modalities and the use of technologies, whether they are low-tech or high-tech, can offer more interactivity than texts, give students the chance to use a variety of different skills, and enrich the curriculum with interesting content. All of this sounds good to me, however, for a simple reason in a simple homework, I don’t like the way they use PPT’s (PowerPoint Presentations) because I think it is much better if they can use their own creativity without any kind of technology most of the time, in the end, the result is much rewarding for them.










Expo Frances - UCE 2013






Nevertheless, there are some guidelines to consider for choosing Authentic Multimedia Material for example the Interest to age, point of the lesson, usable language style, available locally, good quality picture and sound. The results they’re always the best to guide the teaching purpose. All of these examples show how to use REALIA MATERIAL accurately in the target language and culture in the teaching/learning process. 


So do we have the creativity to do use it day by in-class outside from the text book?





LET ME KNOW YOUR OPINIONS



Best Regards,
Wilson P. Chiluiza Vásquez

Friday, 4 April 2014

My name is Wilson Chiluiza, I'm from Ecuador, I work as a language teacher in Spanish, English and French language as well.

Years ago in 2010 when I was working in Ecuador I had the opportunity to get a tuition scholarship from the U.S. Department of State as part of the E-Teacher Scholarship Program with Oregon University. It was about - Methods II: Developing EFL Literacy Through Project-Based Learning.
At that time, It really helped me a lot in order to develop a better knowledge and obviously to increase my teaching-learning process inside and outside of the classroom. Nowadays, I'm working in China and in the same way, I'm fully interested in updating my knowledge, sharing different criteria, experience and figuring out new techniques of work in the daily teaching-learning process. All of these items and so on shared with experienced teachers from around the world during this training will be a huge support and help for every one of us.

So it's a pleasure for me to share this course and all the knowledge about it.

Thanks a lot for checking my blog and sharing all the information provide about Massive Open Online Course (MOOC) aimed at English as a Foreign Language (EFL) educators, both those who are intending to pursue this field as a career and those already working in the field who would like to revise and refresh their methods and approaches.  The free materials and approaches presented complement college courses such as Introduction to Methods for Teaching English as a Foreign Language (TEFL) or Teaching English to Speakers of Other Languages (TESOL)

Best Regards
Wilson P. Chiluiza Vásquez


Thursday, 27 January 2011

Who am I ?

My name is Wilson P. Chiluiza Vásquez, I'm from Ecuador, I work as a language teacher in spanish, english and french language as well.

Years ago in 2010 when I was working in Ecuador I had the opportunity to get a tuition scholarship from the U.S.
Department of State as part of the E-Teacher Scholarship Program with Oregon University. It was about - Methods II: Developing EFL Literacy Through Project-Based Learning.

At that time, It really helped me a lot in order to develop a better knowledge and obviously to increase my teaching learning process inside and outside from classroom. Nowadays, I'm working in China and in the same way I'm fully interested about updating my knowledge, sharing different criteria, experience and figuring out new techniques of work in the daily teaching learning process. All of these items and so on shared with experienced teachers from around the world during this training will be a huge support and help for every one of us.

So it's a pleasure for me to attend this course and join all the courses as many as possible.

Thanks a lot for checking my blog and sharing all the information provided about my professional career.

Feel free to download, share and leave your comments.


BEST REGARDS

Wednesday, 26 January 2011

FINAL ACTION PLAN PROJECT - “Methods II: EFL Literacy and Project-based Learning”


FINAL ACTION PLAN PROJECT
“Methods II: EFL Literacy and Project-based Learning”

Name: Wilson P. Chiluiza Vásquez
Date: 6.12.2010


1) Course description:



Name of course:     TRADITIONAL AND NEW MUSIC STYLES  IN CLASSROOM


  • The number of students: 30 students.
  • Age of students: Ranged between 20 to 45 years.
  • Language level of students: Beginners- medium-high. University-level students.
  • Amount of time per week: 2h per week (six weeks, levels are divided in 6-week length)
  • Other information: Each level has 2 hours per day, ten hours a week. Levels are divided for 6 weeks length an SS approved the next level

2) Project description:

Howard Gardner initially formulated a list of seven bits of intelligence and I want to apply one of them to motivate my students’ learning in the classroom. Also, his work has been marked by a desire not to just describe the world but to help to create the conditions to change it.

<I want my children to understand the world, but not just because the world is fascinating and the human mind is curious. Musical intelligence involves skill in the performance, composition, and appreciation of musical patterns. It encompasses the capacity to recognize and compose musical pitches, tones, and rhythms. Musical intelligence runs in an almost structural parallel to linguistic intelligence>. 


 Howard Earl Gardner's (1943 - )

Also, this kind of technology, working with strategies align strongly with the constructivist and social constructivist theories of learning, and therefore will also fit well into classrooms where these theories of learning are embraced. As new technologies push instruction in the classroom in new ways, so to do our ability as professional educators push the evolution of educational technologies.

As a result of this knowledge on this online teacher training, I created this PLAN to motivate students with a different kind of learning and also inspiring them, to continue with new strategies or techniques on this teacher-learning process to be applied in the classroom. On the other hand, to continue with cultural aspects like Traditional Ecuadorian music known as Pasillos. Even if they’re into Spanish, listen to Ecuadorian music being sung in English will be new for them.

They love to listen to their own music into their mother tongue, and if they realize that it is really cultural to apply in English, they will be more interested and receptive to take it in class as a real English knowledge in songs.


3) Project objectives:


This plan aims to the next points:
  •  Students will become familiar with lyrics or rhythms with many of the components of traditional Ecuadorian or new foreign English music. They will exercise their listening skills in order to pick out features of English music.
  •  They will be able to compose their own English songs based on music that they are exposed to.
  • They will then create their own music, both the words and the beat (You may want to do this activity along with a musical instrument making activity so the students can really play their tune).
  • The group will sing their song together to the class. Each group can teach the class their English song throughout the week.

4) I would like to implement this project for the following reasons:

This plan will be used as an introduction to Ecuadorian Traditional (E.T.) music in our country, as part of the History of Ecuadorian Music. In the other hand, the lessons that follow will give the student a “taste” of the new music styles, too.

In order to keep their interest and give them a sense of the development of popular-traditional music genres, but focus primarily on the traditional music themes that are present in the music, and why popular artists may have incorporated these themes in their music.

Students have completed a specific song on how to study music elements in traditional new music styles—including E.T. music known as Pasillos. As a result of this, we will expand the melody to include “theme” in music. Students have prior knowledge of the composers as Julio Jaramillo or other different famous Ecuadorian singers for the E.T. music.  Finally, discuss a few pages about new styles in different new music styles.

5) The benefits that I anticipate from the project:

To contribute a different kind of knowledge, motivating students to keep in contact with their culture tense waking up their appreciation about traditional Ecuadorian music. Also, going up about their interest in music, new styles, and their development in music rhythms and lyrics in this century.


6) The challenges that I will expect to face from the project:


  • The major challenge which I will expect to face is how to keep on them the interest in this kind of activity.
  • · To continue working with younger students involved in ancient songs. It could be boring for them.
  • · To test myself my knowledge, time classroom’s schedule, and music appreciation to develop these activities with my students

7) I will address the challenges described above by emphasizing the following points:


See how the class felt about the task: 

  • · Are the students interested in this activity?
  • · What is the song about? What does the title have to do with the song?
  • · Was it difficult? Easy? Fun?
  • · What were some of the reasons that made it that way?
  • · What message is the song trying to convey to the listener?
  • · What could we have done differently to make it more/less challenging?
  • · Is Ecuadorian traditional music easy or difficult to distinguish from other new types of music?
  • · What makes it so unique? Have them write about all of these things.
  • · Are the lyrics written as traditional or new ways?
  • · What’s different in the lyrics? If yes, how would you break the lines into lines of traditional or new lyrics?

8) Steps and timeline (schedule) of implementing the project:



Here I want to take advantage of technology and use the web to clarify the next procedure.

· Teaching Strategies and Activities

http://www.educationalrap.com/answers/teacher-tips

Here the next steps:

First, think about what you want to do. Then, use your imagination and plan your activity. The more useful is the music, the more uses you will find for it. Also use the lyric word scrambles, crossword puzzles, and worksheet/quizzes created specifically for the songs to help you, located on each song page. There are also relevant links to other helpful websites to help you.


1. Energize students

2. Bring students out of their shells

3. Stimulate discussion

4. Reward good work or behavior

5. Introduce a new topic or help explain a difficult topic

6. Create an interactive activity

8. Perform for their peers

9. Collaborate with another group or class

10. Perform at a school assembly or parents’ night

11. Provide a change of pace in class or a new approach to a challenging subject

Energize students

RRR’s music is a great way to get everyone’s attention and perk up a class.

Tip: Start or end the class with music. Play it more than once at the so it becomes more familiar. Hand out lyrics. Begin the music before students come in so it can be heard as they enter. Continue until everyone is seated. At the end of class play until everyone has left the room.

Details: Using the Original Track, most of the RRR songs are between 2 ½ and 4 minutes in length. Use the Original Track to attract attention and then play the Downtempo Track, (which adds another ½ minute to the playing time) so students can begin to concentrate on the lyrics. Hand out lyrics so they can follow along. Allow about 10 -12 minutes for the music to be heard twice through and for reaction time from students. Let them get over the “wow” factor before you begin to teach.


1. Bring students out of their shells


Students who lack confidence in the subject or their language skills may find the music a way of interacting with peers. It provides a common ground in which to share information.

Tip:  Encourage conversation and comment about the lyrics and information presented in the song. Play the entire song so students get the big picture, but focus on the parts that are part of the lesson. Make sure everyone has lyrics. Ask questions: What’s the song about? What is the main topic or idea? How does it apply? Can you repeat the lyrics or put the lyrics in your own words?
Play the song again and let them listen. Repeat the questions, asking different students for comment. Give students time to internalize the lyrics and the music.

Details: Check the length of the song on the track your using, usually 2 ½ to 4 ½ minutes. Play the entire song. Discuss the overall song content and then focus on the topic and verse(s) that you are using during this class. Play the verse(s) again using Downtempo Track if students are having difficulty understanding the lyrics. The verses within tracks are often 1 minute or even less, so allow 3-5 minutes to repeat verses. Move into a discussion as soon as they are ready. Allow about 10-12 minutes to play the full song once and then repeat the relevant verse a few times.

2. Stimulate discussion


As students become more familiar with the music, reinforce the lyrics and the information or subject matter the lyrics address.

Tip: Copy a verse of a song that pertains to the subject being studied, repeat the lyrics (without the music), discuss the idea or principle presented, repeat the lyrics again (without music) until everyone is comfortable and then play the music. Study lyrics for rhymes and memorable couplets. Here’s an example from the Language Arts Album, with rhymes colored below.

“Think of a comma like you think of a pause
when conjunction connects an independent clause.”
or…
“A comma’s like a breath expressed in written form:
“I like the sound of thunder, so I love thunderstorms.”
- Dots and Dashes (Punctuation)

When students can repeat the verse or couplet and understand its application, go on to another verse, or play the song and let them get used to the beat and backup. There are many excellent rhymes to be found in RRR songs.

Details: Allow time for students to examine lyrics carefully and repeat lyrics without music. Ask students to identify keywords, phrases, or ideas. Allow 5-10 minutes for this activity and move on to another verse, or into another part of the lesson plan. If time permits, play the entire song before they leave to reinforce the phrases and words identified as key. This will take another 2-4 minutes. Total time for RRR song and lyrics, approximately 15 minutes.


3. Reward good work or behavior


Energetic music is a terrific way of rewarding a class.

Tip: Push away the desk and create some dance moves to accompany singing or syncing the lyrics. Students might even volunteer to do this themselves. If space is tight, let students take turns. This is a great activity at the end of a long day or just before vacation when everyone is feeling a bit restless.


Details: Pick a familiar song. Use the Original Track to review, and then the Instrumental Track for dancing or singing. If students don’t remember the verses, use the Recall Track to help. Allow at least 20-25 minutes. Students may be a little slow to start, but once they start moving and singing, they won’t want to stop. If time permits, let them choose other songs to dance to.


4. Introduce a new topic or help explain a difficult topic


When introducing a new or difficult topic, students need to feel that the topic will be interesting and is one that they can understand. Music is a great way of breaking down barriers and fears in learning, and is easily incorporated into individualized learning modules.

Tip: As a class, read the lyrics to get familiar with terms and ideas. Answer questions students have and ask them for keywords, concepts, or ideas presented. Play the song (or the verses being used) only after students are comfortable with lyrics. Use the Downtempo Track (slightly slower version) if the lyrics have new information, and the Recall Track (missing word version) once students become more familiar. Ask students to sing or say the missing word or phrase. Volume isn’t important, the words are. Allow a couple of tries to get everyone comfortable.

Tip: Using the Instrumental Track; ask students or volunteers to write their own verse on the topic. This is a good extra credit project. Form small groups or buddies, and give students a few rhyming words or a subject-related theme to start with.


Details: This activity can take up an entire class period, particularly if you are using the songs from the RRR Science or Social Studies Albums. Use other materials or resources from our song pages to accompany the song lyrics. Let students determine which resources or activities they will use to assist them in learning more about the subject. Share the various approaches to learning within the class.

5. Use as an interactive activity


Most students will be familiar with hip hop music, and though a bit shy in front of their peers, will enjoy the interactive possibilities of RRR music.

Tip: Have students incorporate lyrics, backup singing, rapping, or dancing into special projects or reports. Students less proficient at writing and organizing their thoughts on paper may be able to create a dance, music, or art project that successfully demonstrates their understanding of the subject. The Instrumental Track is especially useful to writers and dancers. This is a good activity for small groups, “buddies”, and even individuals.


Details: Spend 15-20 minutes during several successive class periods to let students work on their special projects. This allows time away from the classroom to think, plan, review, and internalize the music and the subject being studied. Allow at least 3-4 hours total time (including out-of-class time) to develop meaningful projects students will be proud of.

6. Perform for their peers


RRR music is a culturally relevant art form that students can easily learn and enjoy together.


Tip: Because rap and hip hop require minimal vocal range and technique, most students are able to sing or say the lyrics rhythmically. Use the Downtempo Track initially, then use the Recall Track, and finally the Instrumental Track. Let some students do the backup vocals or create their own hype track to add using sounds or words that relate to the song topic. Suggest topics for additional verse writing and help with the rhyme scheme.


Details: Students will take this activity seriously. Give them enough time to discuss the topic or subject matter thoroughly so that their writing and rapping really show their understanding of the topic. At least 15-20 minutes of two or three class periods will be necessary to develop satisfying results.

7. Collaborate with other group or class



RRR Music lends itself well to collaboration with other disciplines, especially physical education, art, technology, music, writing, or theatre. Using video and other expressive forms, the music takes on additional meaning and reinforces the learning experience.

Tip: Find another teacher in another discipline area and double up on creative projects. Support student efforts to combine talents. Science Fairs, Open Houses, etc. are great places to exhibit such works. The Science and Social Studies Albums are full of songs that lend themselves to such projects.

Details: Since projects of this nature take planning ahead, find a collaborator early on before schedules get too full. Allow plenty of time for students to discuss ideas (have some of your own too) and all participants to agree on a project to get maximum participation and enthusiasm.

8. Perform at a School Assembly or Parents’ Night


RRR music is natural for performance or presentation venues both formal and informal.

Tip: With the assistance of the music or drama teacher, allow students to create simple costumes, backdrops, or other stage props that enhance the lyrics. This can be done with math and science concepts as well as social studies. This type of activity allows for additional learning opportunities and reinforces principles and important concepts.

Details: Plan ahead with another teacher or department, coordinating performance schedules with your interest area. Suggest themes or special celebrations be included in the performance such as Celebration of Pi Day (March 14) and perform the 3 RRR songs from the Math Album that use pi in the lyrics. The same could be done for Earth Day using the songs from the RRR Science album, or any of the American holidays, using RRR Social Studies American history or government songs.

Provide a change of pace in class or a new approach to a challenging subject

RRR Music offers many opportunities to restructure a lesson plan or class period yet allows you to keep the focus on learning.

Tip: Surprise students with a song and printed lyrics. Let them use the Lyric Word Scramble (see resources on each song page) to increase familiarity and use the Recall Track to assess progress.

Details: Time needed for this activity can vary. To do the Original or Downtempo Track, the Recall Track, and have students work on the Lyric Word Scramble, allow 20 minutes. 8-10 minutes to hear the song twice, and 10 minutes for the Word Scramble (Word Scrambles usually have about 20-25 words to unscramble. If time is short, divide the class and assign each verse and chorus to a different group. This will take only about 5-8 minutes for them to complete.

9. Assessment and evaluation of the project:

In order to assess and evaluate the project the following information will be collated and analyzed:

Students could write reactions about different kinds of music, especially about traditional Ecuadorian music and other different new English song styles music after they have experienced it with pop music. I would also give listening tests on the material covered, to see if students could identify the correct classical theme in any kind of music, or to see if they could identify the presence of classical, traditional, new music elements. Students would also be given a written test and /or listening test to identify the musical elements of Pasillos (Ecuadorian music), disco, funk, “Art-Rock” and rap music.

10. Rubrics:


Listening Skills


General Rubric of Listening/Viewing and Discussion Activities
Student's Name: ________________ Date of Assessment:__________
4 Exemplary 
  • The student listened with excellent attentiveness; face forward, eyes on the speaker or item being viewed.
  • The student participated in class discussion by framing excellently thought out questions to gain more information.
  •  The student participated in class discussion by stating thoughts and understandings in a very articulate manner.
  •  The student demonstrated an excellent understanding of the information presented as reflected by his/her comments.

3 Accomplished


  • The student listened with good attentiveness; face forward, eyes on the speaker or item being viewed.
  • The student participated in class discussion by framing well thought out questions to gain more information. 
  • The student participated in class discussion by stating thoughts and understandings in a fairly articulate manner. 
  • The student demonstrated a good understanding of the information presented as reflected in his/her comments. 

2 Developing

  • The student listened with fair attentiveness; face forward, eyes on the speaker, or item being viewed.
  • The student participated in class discussion by framing fairly well thought out questions to gain more information. 
  • The student participated in class discussion by stating thoughts and understandings in a somewhat articulate manner. The student demonstrated somewhat of an understanding of the information presented as reflected in his/her comments.

1 Beginning 


  • The student listened with little attentiveness, was frequently distracted, and did not, often, pay attention to the speaker or item being viewed.
  • The student participated in a little in-class discussion. 
  • The student participated rarely in-class discussion and did not state thoughts and understandings in an understandable manner. 
  • The student demonstrated poor or no understanding of the information presented as reflected in his/her comments. 

0 Not Able to be Assessed:

  • The student did not listen with any attentiveness, was frequently distracted, and did not pay attention to the speaker or item being viewed.
  • The student did not participate in class discussions. 
  • Teacher's/Media Coordinator's Comments and Observations

10 Links:

Song lyrics and strategies, used in the ESL classroom:

Thanks for reading

Best Regards
Wilson P. Chiluiza Vásquez

Why Removing Technology from your Classroom Will Improve Student Learning



 Volume 16 Number 1

Teaching Naked:
Why Removing Technology from your Classroom Will Improve Student Learning
 (Extended article)

Jos Antonio Bowen, Southern Methodist University

Flashy powerpoints with video and synchronous e-conferences are impressive, but the best reason to adopt technology in your courses is to increase and improve your naked, untechnological face-to-face interactionwith students.  Technology is often accused of pushing people further apart (the interaction is really with a computer screen and not another human being, they say) but a few minutes of questions at the end of an hour covering material from behind a podium is hardly an interactive experience either.  However, simple, new technologies can greatly increase your students' engagement outside of the classroom and thus prepare them for real discussions (even in the very largest classes) by providing content and assessment before class time. The goal, in other words, is to use technology to free yourself from the need to "cover" the content in the classroom, and instead use class time to demonstrate the continued value of direct student to faculty interaction and discussion.
Most of the ideas listed here are aimed at medium or large courses (20 students and above) where lecturing remains the easy choice and powerpoint has become the most abused new technology.  If we believe that the value of a residential college experience consists largely of the human interaction between professors and students, then we should maximize that experience.   Better online courses are coming and consumers and legislators will continue to put money where the best learning is.  Residential colleges will always be more expensive, so there should also be a demonstrable learning benefit.  Technology will surely be a key component of all future higher education, but we need to rethink how we use technology inside as well as outside of the classroom.
This articles proposes why you need to learn to use technologies, but leaves the how of powerpoints or podcasts to your campus learning and technology support.  My subject is the dramatic impact on student learning that can result from these simple new technologies. It will take time to get started, but you don't have to do it all at once.  Another advantage of these technologies is that you can save everything: every experiment serves as the basis for another trial later.
As young teachers, almost all of us over-prepared for class with more content-specific lecture notes than we could ever deliver coherently.  All of us have rushed through content at the end of a lecture and finally looked up to see everyone asleep.  All of us have also had the unexpected and exquisite student epiphany that usually occurs when we abandon the script and follow our instincts or a student question.  The best teaching moments do not happen when we are worried about making sure we do not forget a detail.  These new technologies allow faculty to abandon this tyranny of content (at least during class time), but they will also require us to rethink our use of class time.  I'll return to this at the later, but I strongly endorse under-preparing for class; it will lead to your best teaching moments though it will feel a bit like teaching naked. 
Use Email to Create More Class Time
If you need to reschedule the midterm or change a reading, do not take valuable class time to make announcements that some students will copy down and most will forget. Lists of announcements are time consuming and ineffective.  Email is a great way to communicate with your students and save class time for something better. Technology makes it easier to provide an email or handout with the complete details; For maximum effectiveness, limit announcements to one highlight.
There are some terrific fringe benefits.  First, today's students are used to getting constant phone calls, text messages and email from friends and parents.  Imagine my surprise when I first read on a student evaluation: "This professor emails me several times a week and it shows he really cares about his teaching."  Student perceptions of your enthusiasm and dedication are tied to their engagement in the subject.  They like getting email from you, and you immediately seem more open, accessible, friendly and caring.
Second, you never again have to worry about something you forgot to say in class.  Never again will you need to cut off an interesting discussion or a great off-topic question to "get back to the material."  If you forget some vital information, simply email all of your students after class.  Again, students like this and it reinforces what every campus has been trying to do: to connect learning with the entire college and life experience.  Email is a great way to remind students that they are responsible for the learning and that they should still be learning even when they leave the classroom.
Third, you can guide your students' time outside of the classroom by providing timely reminders of key themes in the reading or connecting classroom topics to current events.  Students always learn better when they perceive that the material is relevant and most of us see connections to our work periodically in the news.  Since mentioning a recent news item might divert us away from other course content during class time, we sometimes skip it, but email is the perfect way to draw attention to a news story immediately, as it happens.  A quick email about an item in the student or national newspaper relates to a current class topic is the best way to get students to connect your class with the rest of the world. 
Most universities now have some sort of course management system that automatically creates emails lists for every course, but another way to reach your students is to create a Facebook site for yourself.  (Go to Facebook.com and follow the instructions.) All of your students are already in this virtual community and asking them to join a class group creates a virtual community where they already live; posting an announcement on Blackboard is the equivalent of asking them to come to office hours in your building.  Posting on Facebook is more like showing up in the dorms for dinner. Posting here may reach students more quickly.
Use Online Tests to Create More Class Time
Online course management systems all include some testing function.  Many of us have felt the conflict between a desire for more timely assessment and the problem of "losing" class time.  In the last year or two the sophistication of online quizzes and assessments has dramatically changed in products like Blackboard, but there are also a quickly expanding array of free learning modules developed by your colleagues at www.merlot.org.) Moving one or more assessments outside of class time, again frees up the class time for something more interesting. 
Again, the fringe benefits far exceed the original goal.  You can now give more quizzes and more varied assignments.  You can allow (or require) students to work together.  You can monitor their progress more easily.  You can provide opportunities at different hours; this levels the playing field for different types of learners and situations, but also reaches the traditional students who want to study late at night. Most importantly, however, you can disguise learning as exams and tie the assessment of learning to measurable and increased learning.
As a music teacher, I used to give periodic "drop the needle" exams, where the teacher drops the needle onto the record and asks students to identify the style, period, composer, performer etc. These were easy to grade, but as class size grew so did the work, and they took up class time.   They certainly didn't enhance learning; they only measured the work students had already done.  Then I created simple multiple choice exams in Blackboard.  This freed up class time, but students needed a way to test the system before logging on to take the exam.  So I created practice exams for each week using the same questions, but with the same pool of audio examples.  My support person wondered if students would cheat by memorizing all 150 examples before taking the test.  I thought, "that isn't cheating, that's learning." Indeed, allowing students to "practice" (or "cheat") dramatically increased how much time they spent "studying" or practicing this activity and increased the scores on the exams by almost an entire grade. Even when I randomly moved exams back into the classroom, there was dramatically increased performance. 
Peer review works in much the same way.  These simple technologies also make it easier for students to share and critique their work. Peer review is useful for students in the same way it is for faculty: you need to start earlier and you worry more because you want your peers to like your work.  When reading the work of others you learn about your own strengths and weaknesses, you learn sensitivity for audience and you learn new information.  Peer review often turns out to be a better motivator than doing it for you, but all of this again is a fringe benefit to the core value of getting students to prepare for class. 
Quizzes before Classes: No More Unprepared Students
We've all arrived in class ready to discuss an interesting reading only to find that most students have not done the reading and are hiding behind their desks.  One way to ensure this never happens again is to create an online mini quiz for every reading; each quiz is due an hour before the relevant class.  This is very simple technology.  Create four multiple-choice questions and email a reminder and a deadline to all students.  Blackboard (or your other course management software) will ensure that the exam goes away as class starts.  Again there are fringe benefits.
An earlier version of this concept is Just in Time Teaching or "JiTT." (Novak, Patterson, Gavrin and Christian, 1999)  Students prepare a problem set or an assignment in advance of class and submit it before class; you use class time only to work on the problem areas.  New technology makes this easier and even more effective.  Now, not only do you know that every student did at least some of the reading, you can print out the quiz results an hour before class and focus on the issue they found most confusing or most compelling. 
This does not have to be an SAT reading-comprehension-type question.  I often ask students to discover the bias of the writer, the hidden assumptions or to relate a story from their own life that reinforces the point the author is making.  It does not even have to be a quiz.  You could require your students to make an online posting, submit a question they have, or design a poster/web page to entice other students to do this reading.  There have been online discussion groups for over a decade now and even in a large class, students can be divided into smaller discussion groups.  (Again, if you use Facebook, you can reach students where they already live.) While there is disagreement about whether online discussion can substitute for face-to-face discussion, it is clear that forcing students to make a few postings or demonstrate some competence with the material before class can only lead to better in-class discussions.
The Inverted Classroom
Most of us learned in the traditional model: come to class unprepared, listen passively to the first contact with the material, then go away to "learn" the material and then return for the exam.  In an "inverted classroom," (Platt and Lage, 2000) the first contact and exams happen outside of the classroom, but students come to class prepared to engage with other learners and the professor.  Project-based learning and the studio model of teaching in the arts are also expressions of the importance of engaging with students in the flesh. Technology makes it even easier to invert your classroom so that your classroom becomes the center of learning rather than only a passive point of first contact with the material.
The traditional model was once the most efficient one.  Long before the rise of cheap textbooks and the internet (in ancient Greece, for example) a lecture was the cheapest and most efficient mode of communicating new knowledge to a large group of students.  Larger nineteenth and twentieth-century concert halls and most of our lecture halls were designed using the latest acoustic technology to aid this delivery of content.  New technology allows for more varied modes of communication.  
The same applies to meetings and the business of academic governance.  Most of us no longer want to tolerate long meetings where one person simply regurgitates information from their last meeting.  That used to be efficient, but with new easy forms of communication, you can send the content, the facts or the information in an email or other forms of communication and use the meeting time for discussion and exchange of ideas.  We demonstrate the value of our academic missions and the human exchange of ideas when we provide the first contact with material before the meeting or the class session.
Lectures of Wonder
In the nineteenth century, long before radio, movies, television or paperbacks, going out to even a poor public lecture or concert was a rare and stimulating experience, but we can hardly expect our students to be this enthusiastic.   Our students understand the difference between passive and active multimedia experiences, and they are used to walking out of bad movies, concerts or lectures.  So if you want to reach students through lectures, they need to be lectures of wonder; they have to be even better than they used to be to be effective at all.  This is probably hard to do three days a week.
I am not advocating abandoning lectures entirely.  In the same way that live music and live theatre remain totally different experiences from recorded music or film, live lectures are different from podcasts.  Note, however, that the rise of recordings has had a dramatic effect on live performance; when you could only hear Beethoven live and in concert, you would tolerate lots of wrong notes.  Increases in recorded music have increased not only the standards of playing on those recordings, but also in our concert halls.  Thanks to recordings, we demand better acoustics and more compelling performances on stage.  You only go to a concert when the live experience offers you something you can't get at home.  Most students only come to class when we force them to come.   Save your best stuff for the live experience, but be realistic about what is engaging and how often you can deliver it.  One or two fantastic performances a week can still engage your students.
Further, the most obvious way to open up class time for those best "aha" moments is to remove your recitation of content (the lecture) from the class room.  If your classes are only lectures and exams, you might as well be teaching online.  Class time is too valuable to allow students to sleep.  Coming to class has to "add value" and reducing the technology and increasing the human interaction is the best way to create something interactive that cannot be duplicated online.  Most of your lectures (all of the ones covering "content") can be turned into videos, but interactive discussion cannot. 
A great lecture is a great performance; it is best at stimulating an interest and spreading enthusiasm for further study.  Like any performance, you need wow factor, pacing (including change of pacing and plot twists) and you need a great ending. If your lecture includes a great "aha" moment, live experiments or demonstration, or you keep students on the edge of their seats, then lecture and make them even better.  (Bligh, 2000)  You can, however, probably improve that lecture (and that "aha" moment), by removing that survey of the bones in the foot or poetic structure.  If your students need that content to understand your great moment or to engage in discussion, then communicate that in some other way.  The lecture then can focus on something dramatic and memorable. Current research (Crouch and Mazur, 2001) demonstrates that students retain relatively little content from most lectures, but they do take away a lot about your attitude toward learning and your subject.
Your style of teaching conveys volumes about your values, your discipline and what you want students to learn.  When you lecture about facts, the implication is that they should be memorizing facts.  If you tell students that they need to question authority, but you lecture from behind the podium, it is harder for them to question you and they probably don't take you seriously.  If you want students to think or consider multiple points of view, you need to create a situation in the classroom where they can do this.
The physical structure also matters.  Like the medieval cathedral, the traditional lecture hall is designed to let students know who has the power.  If you are not going to lecture, you probably need more flexible seating.  Think too about the schedule.  If you have one great lecture per week, then give it in a lecture hall and make it the performance of your life each week.  The discussions, of course, work better in different architecture, but changing the mode of delivery or opening more time for interaction probably also requires some reworking of your class schedule.  (Universities are only just beginning to think about alternative classrooms.  Most are focusing exclusively on "high end technology classrooms" which misses the point.) You can do discussions or projects with a larger group, but again universities need to begin planning for more flexibility of approaches.  The good news is that we can make better use of the spaces we have if we do not have to lecture three days a week.
While a good lecture is still a great way to present an introduction to many subjects, there are now better ways to allow more people to see them (see below).  While the technology is relatively easy and available, the much more dramatic change is what happens in the classroom.  Many new pedagogies (JiTT, Inverted Classroom, or Project-Based Learning) rely on a professor who is an improviser in the classroom.  This won't appeal to everyone and it is a huge change, but fear is not a good reason to avoid trying.  We all entered this profession because we are passionate about our subject.  All of us can talk passionately for 50 minutes (or longer) on a variety of subjects, and for most of us, reducing the lecture notes and trying only to communicate passionately a few key ideas results in more excited students who are inspired to learn more.
"Teaching naked," means moving some of the content, removing some of the personal safety net and simply trying to connect with our students.   Delivering first contact with the material is very safe; you know what comes next and it is the students who are naked and unprotected.   When you provide another means and incentive for learning the material in advance, you give up some control, and that can feel like teaching naked, but it can improve students learning.
The iPod and Handheld Technology
Once you get to the details, most of the new pedagogies associated with the iPod, also work with other more readily available technology, but the lesson of the iPod itself is "you can't fight cool."  There are other devices that do what an iPod does (in many cases more cheaply), but ultimately what matters is which device draws you to use it over and over again.  The iPod is cool and easy to use; when you buy one you use it and it changes your life.  That is an important lesson for all teachers.
This will not be an ad for Apple, but rather an examination of how faculty can take advantage of the current love affair with the cell phone, iPod and other hand held devices and what it means for the future of higher education.  The iPod's primary function is as a portable playback device, but expect to see more convergence of handheld devices and wireless technology.  If you look in a student's backpack you are likely to find a variety of these devices.
Everyone has a cell phone and exchanging texts and pictures is automatic for today's student.  If you do not already patrol your examinations carefully, be aware that no one writes on their hand anymore.  Cell phones allow students to text questions and answers to each other with barely a glance into the palm of the hand.  Sending a picture of a diagram or chart is almost as easy and the newest devices can hold and display loads of text, formulas, sounds and pictures, previously gathered.
While cheating is easier, so is getting instant feedback. Some textbooks now come with "clickers," an infrared device most like your TV remote, that allows students to send you instant feedback about a question. A handheld Nintendo game allows you to send a picture as well.
We can either try to force students to learn the way we did, or try and harness the energy already being expended in other ways.  Information is not as essential as it once was.  While your doctor probably does not have the time to explain everything about your new condition to you, you can learn more than you want to know online.  In fact, some people already treat the doctor's visit like an inverted classroom, going for clarification and the personal implications only getting some first contact after searching the net!   We can harness this now pre-existing skill in our students.
Lots of devices allow internet access and many students already bring laptops to take notes.  What would happen if you encouraged students to find the mistakes in your lecture using the internet and gave away prizes?  It is easy to check before class on what the obvious google search will turn up.  If we want to teach our students that learning is more than memorizing, or finding a web site with the correct information, then we need to provide them with an opportunity to sort and evaluate the information they take for granted.
Again, there is a fringe benefit.  Most of us want our students to see a problem from multiple perspectives, but students tend quickly to dissolve into a complete relativism.  What better example to understand both the existence of multiple perspectives, and the evaluation of these perspectives, than the internet world they already inhabit?
While I see lots of possibilities for new sorts of hybrid classes, I still believe that the best use for most of this technology and for most faculty is to use itoutside of the class room.  Yes, send your students on a GPS tour of a local neighborhood, force them to collaborate on problem sets, make them record their impressions of a concert on an iPod, have them do a photo essay of a campus rally or have them listen to a podcast, but use the classtime for other sorts of human interaction.
The Podcast
Email is no longer cool.  Students use it, but they spend much more time on Facebook, blogging, text messaging and with headphones.  You can send a detailed 12-page email, but they will probably do what you would do: save or delete without reading.  In the same way that most faculty now pay more attention to a short voice mail message or a short hard copy memo, students pay more attention to shorter text and longer audio programs.  It is all a competition for attention.
Students are much more likely to spend time on their computers if they are doing something and not just reading text.  A podcast seems to get more attention than the same information as text, partly because you can add other interest to the podcastboth sound and video.  This is true for a lecture as well; one of the reasons powerpoint has become so popular is that adding slides, sound or video, provides a break from the stream of words.  There are a number of different ways of creating web/iPod versions of your lectures: you can add the audio directly on top of your powerpoint, or start with audio files and everything in between.  The end products can be played via a web site or loaded onto an iPod or other portable device.
Podcasting simply means that you release the files one at a time (weekly, for example) with embedded instructions for them to be loaded directly onto a portable device like an iPod.  It is like a magazine subscription; the next issue comes automatically.  There is some advantage to this, not the least of which is the "coolness" factor for students, but this wears off and not everyone has an iPod.  It is equally easy to simply post the files weekly to a course site. 
Podcasts can be anything from little audio notes instead of email (there is a test next Wednesday, please study) to a substitute for lectures.  They are an especially good way to follow up an example of something that came up in a traditional lecture.  They are most effective when they include an audio or video clip, an excerpt from a speech, music or a powerpoint animation (of a process or mathematical proof).  The web sites of the Library of Congress and the National Archives are loaded with interesting sounds and Google Image can supply an astonishing range of pictures for all disciplines.
Podcasts really just supply another access to the content of your course.  At present most students either read the book or go to lectures (unless you have found the secret formula to get them to do both).  Podcasts allow more types of access, but a very nice features of podcasts is that students can skip ahead or go backmost of us rely on students to hit the back button in lectures by raising a hand, but they rarely do.  Further, in a podcast, you can cover more material in more depth than you ever would in class.  This is partly because you have infinite time and partly because you know students can skip ahead to the next section when they "get" the current one.  This works a bit like the "further reading" assignments that no one does anymore.  Still, it can be enormously liberating in the class room to know that you can simply refer students to your favorite example about the misuse of the pythagorean theorem.
Serious Games
Video game designers did not set out to create an educational tool.  They set out to create products that people would buy.  Players want games to be easy to learn, but not short or easy to play.  Good video games are challenging, long, hard, complicated and engage the player in active learning.  Good video games do everything that we want good learning to do (Gee, 2003):
 Risk Taking: Good games lower the consequences of failure.
 Customization: Good games allow lots of different types of learners to play.
Pleasantly Frustrating: Engaged learning is challenging, but doable.
Interaction : Plato complained that books are passive and can't talk back.
Production: Learners are not just consumers, they are writers and creators.
Agency: Learners want to feel a sense of control
Challenge and Consolidation: You only become an expert my mastery.  Games encourage learners to explore thoroughly before moving on.
Situated Meanings: People learn better in contexts.
System Thinking: Games require learners to think about relationships.
Lateral Thinking: Learning requires rethinking goals periodically
Performance Before Competence: Everyone advocates learning by doing (and that is how we learn language, but most schools are set up in the opposite way).
Video games can be all sorts of things, but mostly they are an attempt to design an assessment that is both learning and assessment.  After turning my "drop the needle" exams into "click on the file" exams and creating practice exams, the next iteration was to make the entire process an engaging game.  While I now use a slightly more playful interface (you use your arrow button instead of selecting a letter in a multiple choice exam) mostly it is the idea that this is a game instead of an exam that is powerful.  Instead of administering an exam every week for ten weeks, there are ten levels of the game.  Students control their own progress and learning and accumulate points toward the final grade (one for each level).  Now students must master each level before moving on. (Bowen, 2005)
In the exam model, you can only force mastery in a punitive model: learn or fail. With a game the idea of mastery and increasing levels of difficulty is built in.  In fact, one of the greatest reasons for starting work on a game, is that it will force you to clarify exactly what you want students to learn and when. 
Almost every campus now offers some assistance with educational technology.  You don't need to know your flash from your mp3 to create a game; you simply need the sympathetic ear of someone in the technology lab or a little money for a student helper.  Many of us are very creative when it comes to pushing the boundaries of our discipline, but pushing the paradigms for learning is equally creative and perhaps even more important work.
Learning Modules
Learning modules sounds more professional than video games, but, in fact, learning modules are a collection of activities for students with defined learning outcomes. Merlot.org offers a huge range of learning materials other faculty have already invented and are willing to share for free. 
Learning modules is a broader term, however, and we have all been using these since we started teaching.  While often thought of as an online device, at its simplest, a learning module is a unit of content.  To transform a unit into a learning module, start by creating specific learning objectives for the unit.  Some of these learning outcomes may be best suited to online learning or evaluation; some learning modules are no more than a collection of text-based web pages and an exam.  But even a simple learning module like this can transform what you do in the classroom.  If students must complete a learning module before they arrive in class, other possibilities open in class.  If you can accomplish all of your learning outcomes this way you either already have an online course or you need to rethink what you want your students to learn in the classroom.
If you teach a common subject, you may never have to develop your own learning modules; a quick Google search or Merlot search will tell what other faculty have already created. The best materials are already being copied and reused in a variety of new contexts.  This is not unlike what happened with the spread of textbooks. Few of us slavishly design our courses around existing textbooks. Most of us, however, continue to assign textbooks to help us "cover" the material, even when we radically disagree with the perspective or content chosen. Online learning modules work the same way.  What will make your course unique, is what happens in your live interaction with students.  Learning modules are simply the new textbooks.
The Real Problem
Another fringe benefit of all of these techniques is that they are efficient; classes can get a little larger without losing quality.  But how large is large?  Once class size grows beyond 25 or 30, most of us start to change techniques.  While what you have time to grade changes, a lecture to 60 or 400 students is usually still a lecture.  When I taught 60 students at a time in this format, 33% thought the class was too large.  For the last two years I have taught more than 200 students in the same way, but still only 33% think the class is too large.  Most of these techniques have the effect of making the class seem smaller than it is.
The goal of all of these technologies should be to spend more time interacting with your students.  So don't get caught up in the "production value" of your podcasts, email or other communications.  Remember how your writing changed when you first learned to use a word processor?  You can always edit these communications next semester.  Save everything. But none of this takes the place of teaching.  If you remember that your real goal is to interact with your students, you won't get hung up on the technology.
The bigger problem is what to do with all of the extra class time. One easy option is simply to eliminate the large lecture class time altogether: use the extra time to meet in smaller groups with your students for discussion.  But even in larger groups, there are more interactive things you can do. 
Students learn best when they are doing.  They learn more when they are engaged and learning for a purpose.  Everything in the literature on pedagogy and how students learn supports using technology outside of the classroom as a way to deliver content.   This leaves you free to interact with your students and do all of the other things that are clear from research on pedagogy: provide positive feedback, problemitize learning and the discipline itself, encourage them to take risks, interact with each other, generate enthusiasm for the subject, give them a sense of control, think instead of memorize, ask them to be more self critical and to take learning seriously.  These are all of the things we have complained about for years, but were too controlled by content and didn't have the time to cover them. 
Technologies greatest gift is to release you from the tyranny of content.  There is time for everything now.  The real problem is that this now leaves you standing naked in front of your class wondering what will happen next.  That is also the moment when the most real learning can take place.  Be afraid, but take the risk.
References
  Bligh, D. A. 2000. What's the Use of Lectures? 6th rev. ed. Hoboken: Jossey-Bass.
  Bowen, J. A. 2005. "Jazz Bandstand" and "JazzByEar" video games (designed with Britt Carr at Miami University) available at http://www.josebowen.com.
  Crouch, C., and E. Mazur. "Peer Instruction: Ten years of experience and results."American Journal of Physics, 69/9, pp. 970-977.
  Gee, J. P. 2003. What Video Games Have to Teach US about Learning and Literacy. New York: Palgrave/ Macmillan.
  Novak, G., E. Patterson, A. Gavrin, and W. Christian. 1999. Just-in-Time Teaching: Blending Active Learning with Web Technology. Upper Saddle River, NJ: Prentice Hall.
  Platt, G., and M. Lage. 2000. "The Internet and the Inverted Classroom." Journal of Economic Education, 31/1. www.sba.muohio.edu/plattgj/eco201.
Web Sites
Facebook: http://facebook.com 
Learning Modules:
 http://www.merlot.org  
Peer Review Writing:
 http://depts.washington.edu/pswrite/peerrev.html  orhttp://www.mwp.hawaii.edu/resources/wm7.htm 
Podcasts:
 http://www.apple.com/itunes/podcasts/ 
Serious Games:
 http://www.darfurisdying.com 
Talking Powerpoints (audiotours) and Jazz Video Games:
 http://www.josebowen.com